Close to nine minutes, no vocals, the Sphere’s giant screen all around – and it still felt like it was about the bassist who helped write it 🖤
Fan-filmed footage below.
#CliffBurton #Metallica
The social network for heavy music fans. Discover new albums, join groups for your subgenre and connect with fans and bands who live for the same riffs.
The social network for heavy music fans. Discover new albums, join groups for your subgenre and connect with fans and bands who live for the same riffs.


This will remove all of your posts, saved information and delete your account.
This cannot be undone.

At The GatesThe Ghost Of A Future Dead92
NeurosisAn Undying Love For A Burning World93
MastodonMarrow Deep8.54
FenElemental Part One: Mourning Earth8.55
DraconianIn Somnolent Ruin8.56
ImmolationDescent8.57
Green LungNecropolitan8.58
Tony IommiFrom The Dark8.59
InsomniumNetherworlds8.510
MoonspellFar From God8.5
Dream Unending have never been a band that shares a rehearsal room. Justin DeTore and Derrick Vella live in different countries, and Certain Uncertainties was assembled across several studios: most

All The Shadows is the seventh studio album from the Ventura, California veterans and their first since 2023’s Dark Parade. Tim Baker (vocals), Armand John Anthony (guitars), Jarvis Leatherby (bass)

Eleven albums in, Darkest Hour still sound like they’re late for a fight. Suffer Divine kicks off with “All Cruelty Springs From Weakness” and barely stops for breath through the

Thirty-five years after Ivar Bjørnson and Grutle Kjellson started the band in western Norway, Enslaved have reached their seventeenth studio album. Mið is an Old Norse word for the middle

Ten songs. No padding. Entheos have cut the fat. Chaney Crabb’s vocals sit on top of a band that is basically a supergroup: Navene Koperweis on drums, guitar and synth,

Picture the Pacific Northwest a thousand years after us. The cities are rubble, the forests have taken everything back, and the river mouths have become holy ground where spirits, kind

Dragonland have always written as if the map came before the music, and Prophecies unrolls a familiar one: tidal coastlines, burning skies, cities with names you have to sound out

Twenty-one years. That is how long it has been since Fused, the record Tony Iommi made with Glenn Hughes in 2005. Since then the man who more or less invented

Grey water, black rock, a wind that never drops. That is the landscape Vesöld keeps painting, five years after the Reykjavík band’s debut Vítahringur. Mannveira’s black metal is raw and

Paul Speckmann was already shouting about injustice in Chicago in 1983. Four decades and, by the label’s count, sixteen studio albums later, Among the Seeds of Death keeps the old

Thirteen songs, thirteen cards. On their seventh album the Italians name every track after one of the Tarot’s Major Arcana, from “The Fool” to “The World”, but Arcani is not

Who do you call to mix a record about Angus McFife V defending Aberdeen from demons in the distant future of 1993? Jacob Hansen, and it was the right call.

A frozen spirit begging to be left to freeze again is an odd way to open a melodic death metal record. It is also exactly right for Insomnium. “The Cold

Lock the door. Atlanta’s nu-deathcore wrecking crew are back with album number four, their first for Hopeless Records, and they have not calmed down one bit. Breakdowns the size of

Seven years after The Throne Within, RAM return without their own studio. Black Path Studios has been sold, so Against was cut at Studio Recordia in Varberg with Johan Reivén,

The first sound on Liberation Front is a wash of electronic noise, and it is one of the few moments on the record where anything gets room to breathe. The

Who puts a Goo Goo Dolls cover in the middle of a Tolkien-flavoured power metal saga? Frozen Crown do, that’s who. The Italians pick up the tale of the Kings

Thirteen albums in, Amon Amarth have nothing left to prove about who they are. What they did need to prove, after the tired-sounding The Great Heathen Army in 2022, was

Decay is the tenth and penultimate Godflesh album, and the circumstances are hard to ignore. Justin Broadrick recorded it with bassist Ben Green during the same sessions that produced 2023’s

Kai Hansen announced Born With a Hammer on 17 June, the same day the opening track “Feeding the Beast” arrived with an official video. Two more previews followed: “Welcome to

Ten years! Ten years since For All Kings, the longest wait of Anthrax’s career, and the New York crew are back with the same lineup: Belladonna, Ian, Benante, Bello and

Seven garden cemeteries ring the city of London, all built in the Victorian age, ivy-choked angels and crooked headstones watching the traffic go by. Green Lung have built their fourth

Fifty years of Accept deserves a party, and Wolf Hoffmann has invited half the metal world. Teutonic Titans 1976-2026 is not a new studio album but a celebration: nineteen classics

Some voices belong together, and hearing them again after years apart feels like finding an old letter in a drawer. Beseech, the gothic metal band from Borås who gave us
Remember the first time you heard Cowboys From Hell, Left Hand Path or Fear of the Dark? Step back into metal's wildest decade and relive it year by year, album by album, with the stories behind the records.
